MAUVECIN LEONOR MARTINEZ LEONARDO ROSALES DAVID 
What is for you. poetry?
_ It's the ungraspable, indescribable, to try to capture with words ... Instant always on the run to an unknown destination. Valid
image of Wallace Stevens Poetry is a pheasant disappearing in the bush.
When did you write? Why?
_Empecé to write when beginning to read.
One way to play, to get to otro.Vida filled with groping, searching, ups and downs, embarrassments, with art on the horizon and at the time, only reality.
started to publish a mature man, almost old, 20 years ago.
How would you describe your poetry? _The
definition
borne by fellow readers, if they had approached the goodness of my verses.
What authors influenced your poetry? _
Really spacious espectro.No I can demarcate the tastes, preferences, influences. Joaquín Giannuzzi, Fco Madariaga, Juan José Hernández,
Pablo Antonio Cuadra, Ramón Palomares, José María Arguedas, Rodolfo Godinez .. The musicians of the Baroque and German Romanticism, the Pre-Socratic philosophers and philosophers of nature. And the classic Castilian, plus the generation of 27, more than Thomas Mann, Hermann Hesse, and storytellers and U.S. poet of the twentieth century. I do not want to forget about André Gide and Marcel Proust are still in my reading.
What is the order you would like to accomplish with your poetry?
fusion _Plasmar space-time, place, memory, memory, collective memory.
What poem would choose if I had to choose one in particular and why? _The
choice I would hang my emotional state.
How poetic language has changed over the years? _From
my site I tried to find the appropriate tone for the purpose of poetry, also seek greater precision in writing.
What you. is born or becomes a writer? _It
match. Everyone is born with a range of abilities and disabilities, and we're doing for elections (sometimes thought not).
What advice would you give to a young writer? _The
he would give me them to me. Learning to see and decipher the signals from the things and beings; grasp reflexes in our soul.
How do you. currently the publishing industry? _As
always, without any enthusiasm for poetry.
If I had to recommend books of poetry, prose, etc. What would you recommend?
_Según to whom, or according to the individual.
what think of new ways of spreading the word? _All
valid.
Finally, what you want. add anything?
_Mis Gustavo Tisocco congratulations to unfold as broad tapestry of poetry.
Leonardo Martinez
Interview ADRIANA MAGGIO 
for you What is poetry?
is like asking what is for me to breathe? For me it has become a fundamental part of my existence, poetry gives me the opportunity to create my own reality, is the medio para expresarme y de ser creador de un todo, de mi propio universo, del poder generar un diálogo conmigo, con lo que me rodea, de saberme a través de las palabras, de reconocerme en las palabras. Es también una declaración de lo más cruel y lo más sublime que me mantiene de pie, ante la realidad que me circunda, puesto que la palabra es salvación.
¿Podría usted contarnos un poco de su vida, de sus obras publicadas, sus premios, su actividad literaria?
Nací en Ectazingo (En el lugar del vientecito o airecito), Estado de México, me encuentro en diversas antologías, y he publicado El rey de los lagartos por Rim Papers No. 10, and the country Cain Abel for BMI. In 2008 received the National Prize for Literature "Ali Chumacero, convened by Casas del Poeta, AC for the work Brega, likewise receive the International Prize of Poetry" Gilberto Owen "awarded by the Universidad Autonoma del Estado de Mexico for Southwind poems , both awards published in 2009. I'm the editorial advisor and contributor to the magazine NORTH / SOUTH and founding member of the Literary Group "THE 400 ." Fellow in 2007 and 2009 the Fund for Culture and Arts of the State of Mexico
When did you write? Why?
start writing, I remember in adolescence, first as a statement of my existence, my being. Then it becomes a need to convert into words my experiences. Gradually change the perception, read me in my past is discovered in my mind.
How would you describe your poetry?
define it as a work which every day becomes more force and intensity as to express, in a voice that already has an established and recognizable tone, a poetry about feelings, my feelings, where part deep and sincere in my express.
What authors influenced your poetry?
The complete works of the Contemporary: Jose Gorostiza, Xavier Villaurrutia, Gilberto Owen, Carlos Pellicer, the English classics, Quevedo, Góngora, Lope, Calderón, Lezama Lima, Eliseo Diego, Roberto Juarroz, Pizarnik, Jaime Gil de Viedma, TS Eliot, Cavafy, Pessoa. The list is endless, just enough to mention some that have left some traces
What is the order you would like to accomplish with your poetry?
If a word, a verse, a poem is in memory of someone and gives use, that is my greatest gain.
What poem would you choose if you had to choose one special? Why?
endless Death of José Gorostiza. It is one of the great poems Mexicans, where everything and anything.
How poetic language has changed over the years?
check my first poems, I find in them a language stilted, artificial, big words, encrypted, a language that I referred more to my reasoning and wanting to demonstrate my learning in my poetry.
learned to let go of all those backgrounds, to bring a simplicity and economy of words, simplicity in the sense of making the language less encryption, closer to my reality, and full, now, of experiences life, which hatch and produce the words.
For you are born or become a writer? Refer
Truman Capote " When God gives you a gift, it also gives you a whip and the whip is only for self-flagellation" . There is something of birth and give birth to some of each writer's passion for words, the passion to discover the mystery they contain and to bring them to the limit of the unspeakable and the communicable.
What advice would you give to a young writer / writer who began in this beautiful way of the WORD?
Read, read, read. Read and read to himself. In recognition of the other can find himself in the way of other can find the way himself. Reading is the most important weapon is a writer to know where it belongs, and above all this LIVE, from there, everything you want to convert into words.
How do you see the industry currently editorial?
My answer is about the industry that dares to publish poets. So the commitment to poetry is still a weak point, nobody or almost nobody, is interested in publishing poetry is more an art than a love of company, as a company, few take the risk to the publication. I believe that the outlook will continue in the same evolution, few published, few will read as published.
If I had to recommend a book of poetry, prose, short stories, novels etc. What would you recommend?
books and authors always come at the right time, just mention to: The Unbearable Lightness of Being by Milan Kundera, Tomorrow in the Battle Think on Me by Javier Marias , a novel; Waste Land of TS Eliot and Sunstone by Octavio Paz in poetry.
What do you think of new ways of spreading the word, whether on web sites, literary cyber forums, virtual magazines, ñusleter, blogs etc?
Any means by which to disseminate literature to its creators is well received, especially by easy access and unlimited number to be touched. By complying with the function of bringing more people to other people. Lastly
Do you add anything?
deeply thank the generosity of spaces like this, where there is the possibility of recognizing, and knowing that I take delight in the words of those who read and I read
DAVID ROSALES
for you What is poetry?
poetry as a genre, as a posture towards the world or as a poem, is, like love, multiple, inexplicable and irreducible to definitions. Each has an approach, but nobody can say exactly what it is. I perceive it as a childish attitude, flexible and curious eyes of the world, and as the light produced by the meeting between the interior of the beholder and the world is offered. It's like recreating the world with the innocence of the eye. Each poem is a new reality, which modifies "reality."
"When I die,
the world will never be the same.
I will not say. "
Could you tell us a little about your life, of his published works, awards, his literary activity?
poetry I published three books: You have my word (1998), Draft Eternity (2007) and the victim's Strategy (2009). I am currently working on a fourth book, that title now Verses in his pockets. There are also texts that I wrote, and narrative poetry in anthologies (with others), in literary magazines, medical and educational on the Web and on cable.
received several first prizes at the national level, a third prize in the International Competition organized by Wagram, Poland, in 2004, and honorable mentions. I write in a solitary way, and for several years coordinated writing workshops, or general culture and creative writing, individually or accompanied by a colleague in the field of middle school (I'ma teacher of language arts) or adult.
When did you write? Why?
I started writing about 11 or 12 years because I could not help. Just as the reading was my companion ever since I learned to read, the act of writing is presented as essential to me, since I control the technology, so much so, he practiced writing with his left hand, in case any After an accident prevented me from using the right hand. Material, intellectual and emotional, writing is an inseparable part of my life.
How would you define his poetry?
I find it impossible to define my poetry, I can do is point out some characteristics: heterogeneous, contradictory, loyal to the excitement that causes it, sometimes transparent and sometimes tight, ironic humor with some acid, for at times playful, in a dense, dark times, usually with rhyming lines spaced and irregular assonants short, brief and concise, metaphorical intellectual rather than sensory.
What authors influenced your poetry?
influences is difficult to recognize, because everything we read and experience throughout life, constructing our poetry: a situation, a word spoken by someone, a verse, a fragment of a novel, a story. But perhaps those authors who shook me, the most power in one form or another my writing: Vicente Huidobro, García Lorca, Antonio Machado, Miguel Hernandez, Alejandra Pizarnik, Haruki Murakami, Akutagawa, the Great Russians (Tolstoy, Dostoevsky, Pushkin), H. Hesse, Julio Cortázar, Francisco de Quevedo, Sor Juana Inés de la Cruz, Juan L. Ortiz ...
What is the order you would like to accomplish with your poetry?
Like everything art, poetry translates what is deep of our being, we can meet and recreate, and meet and recreate the world. I think my goal would be to stay somewhat true of me, linking me in time with other beings, identification, discovery, compassion, or dispute. And, of course, someone enjoy reading of my texts, as I enjoy reading other authors, and the world a little bit more livable.
What poem would you choose if you had to choose one special? Why?
would choose Quevedo's sonnet "Constant love beyond death," which begins with the wonderful verses:
Close season may be my eyes / shade I'll take the white day, "and ends with" dust will be, but dust in love. " It is the most perfect poem, dramatic and passionate read.
How poetic language has changed over the years?
Over time, one is changing, changing their expectations, their emotions, their knowledge, experiences, dreams and obsessions. My language, my rhythm and tone of my writings have been changing with the transit, and I think are now more in harmony with me, as before: we are getting to know better.
For you are born or become a writer?
I think you are born with certain abilities, life is discovering or enhancing inclinations, and agree with that, decisions are made. Everyone can write, but not all are writers. If you decide to be a writer, because it has a bias, you have to work hard and read widely, with the ability is not enough. Inspiration and perspiration.
What advice would you give to a young writer / writer who began in this beautiful way of the WORD?
In principle, we recall that the word is not neutral, but it is full of ideology. Therefore, we advise you to be loyal to himself and his text: writing is serious business, but is written with humor and grace. A text is an event of reality, produces consequences, is unexpected lead. There are words that kill and words that give life. No poem is innocent, not go unpunished.
A text is a work, so they should work on your writing, until we feel it is us and we are it. Until that time comes not only is a draft of our word.
And above all, I would say that once the poem came to light, and does not belong: it has to cede humbly to the readers, who will rewrite it many times as read.
How do you see the publishing industry today?
The publishing industry has the same characteristics of the market: trade is full of deceit, corruption and fraud. The big publishers up and down the perpetrators, according to forecasts of earnings or losses, they are not interested in the quality of what they publish, but in sales, hence, never published poets unknown, but are excellent. Small publishers honest, can offer only publication, not distribution, with which we are still unknown unknown poets, and small publishers dishonest we are cheated in a thousand ways, profiting from our illusions.
There is a great defense.
If I had to recommend a book of poetry, prose, short stories, novels etc. What would you recommend?
recommend this book of poetry by Mark Silber, Basso continuo.
What do you think of new ways of spreading the word, whether on web sites, literary cyber forums, virtual magazines, ñusleter, blogs etc?
I believe they represent a legal means to spread what you do and get in touch with contemporary production which are the same. Can publish, read, learn and study without cost: a real resistance against the pettiness and greed of the market. Democratizing access to knowledge, although many have more difficulty than others do.
Finally Do you want to add something?
Tisocco I want to thank Gustavo, who thought and published the survey, and made available to anyone who would answer. Each response means a deep reflection about our own activity and awareness about the responsibility of writing.
ADRIANA MAGGIO
