Interview with Amanda MIRROR for you What is poetry?
... Poetry is indefinable, but if I could dare to define it would be ... a summary of sentiments expressed by the word under the "eye" critical aesthetics. The sensitivity, posture, particularly vision, formed by the passing of each, all result in a creation that must reflect in its speaker something and more about the poet who writes. Something like that ...
Could you tell us a little about your life, of his published works, awards, his literary activity?
I, first of all I AM WOMAN (I feel special that), daughter, mother, grandmother and a respect there. Write forever, but not as determined as I started doing for about ten years ago. I just published my first book of poetry: No more than this, focusing on the variables (some of) the erotic. My achievement in writing is not limited to poetry and in narrative, gender stories, where more have participated in calls and won several literary awards for it.
When did you write? Why?
I started writing in the manner described above, due to a personal search process could not only set with married life, motherhood, work, etc. I knew that something was missing, and not say it is the job of writing what completes me, but it is the tool to get closer to what I want: my own recognizance.
How would you describe your poetry?
As varied, predominate, perhaps, the love, which unavoidably linked to other issues equally valuable and necessary to refer, as the philosophical, social meaning, religious, etc. I think if you bring together all those terms in the concept of "human poetry" would be more than well represented.
Which authors
influenced your poetry? Several
... depending on age. I turn (to name a few) to Gabriela Mistral, Gonzalo Rojas, Eduardo Anguita, and the list will not raise it, deep down, I start to name the ones I like, but I'm not sure of his influence. I think what influenced me most is ... the need to create, to find my reflection.
What is the order you would like to accomplish with your poetry?
find, find, meet and communicate with the rest to see if someone identifies me. That would mean I'm not so bereft of species.
What
poem would you choose if you had to choose one special? Why?
Uff!, How difficult. My "you say? Maybe that identifies my book: No more than that. Why? That is precisely why, so I was inspired to continue working.
How poetic language has changed over the years?
has changed in the trailing sense fear to innovate, to experiment with new forms and structures.
For you are born or become a writer?
I think both things, which can occur together or separately. I do not think they have rules on this.
What advice would you give to a young writer / writer who began in this beautiful way of the WORD?
it be him or herself ... that is not contaminated or optical copying styles that can hit, but that, ultimately, are nothing more than a gesture of defiance ultra passenger and abused. A wake-up call effect on a particular topic, without the weight or respect enough to be called poetry.
How do you see the publishing industry today?
As always ... a business like any other, and always business premium income. Why ask for more from a merchant or entrepreneur? Moreover, the different, we do ourselves, change the rhythm to dance, to engage with it and move my hands at the same language. So ... hopefully, able to accomplish something, but if not ... what do we miss? Are not there hundreds of pressing issues that our writing? We are immersed in a world where everything is staggering. The claim now, in these times of instability and ineffectiveness of much of society recognize us as have never done ... well, I think it will be sinning a little naive.
If I had to recommend a book of poetry, prose, stories, novels etc. What would you recommend?
of poetry ...." Stolen Verses ", a collection of erotic poetry of four different prism Chilean authors, very nice, also as an object.
of prose ... "The Amortajada" Bombal.
From tales ... which I do! Seriously, I can not decide because I like too, but I will stay with "The Isle of the Dead", de Bernardo Astudillo.
My favorite novel has long been Wuthering Heights, Emily Bronte, and before that does not admit any intellectual inquiry or of any kind.
What do you think of new ways of spreading the word, whether on web sites, literary cyber forums, virtual magazines, ñusleter, blogs etc?
I think it is great to have reached it. Since the rules of the game changed and we must adapt to the times or die, what better to use the tools we have at our disposal? What of the forums ... I do not know ... for my part I have no time for it and whether to devote all day to the network, E-mails, blogging, social networking or call it whatever, I would not write anything, and Other than that, I have also life of its own apart from keyboard, so I accept and welcome all the progress, but ... used to balance, without falling into the addiction.
Now ... the book completely change the virtual paper ... EVER.
Finally Do you want to add something?
only thank you for the space and attention you spend on it to all of us, your peers, who share the same love-addiction-curse-blessing spend most of their time dreaming of what will be the theme and the final result our next project.
Those who write, at times, because that's what we do best, or else ... because there is nothing else we can do well.
Which do you stay you?
AMANDA MIRROR
DANIELA DE ANGELIS interview 
for you What is poetry?
To define poetry I avail myself of it beautifully expressed by the Master Heidegger: Poetry is "the decline of language"-not the creation of a condition where there is no language, but is continuous and constantly renewed Language attack against its own extreme limits, where it sinks into silence. Poetry is what happens in throughout their stay. And we live.
Could you tell us a little about your life, of his published works, awards, his literary activity?
There is a feature on me that has settled, and the lack of solemnity. Therefore, I outlined a sort of "Curriculum mortis" in which I could forge from the construction of the collateral, underlying, which is not visible, but nonetheless, Es humor and irony are, to me, resources that appeal. Always good to laugh at themselves. Laughing like children. And play.
CURRICULUM MORTIS
born on a Monday stormy night, on March 23, 1970, at 2220.
only child is not read-exclusive or exclusive-de Vilma Pacilio and Antonio De Angelis. Unnamed
chosen at birth, as midwife protefizaba the arrival of the future center Casildenses Apprentice foward. Granddaughter
Pacilio Roque, craftsman, inventor, tinsmith, reader, storyteller during naps, a lover of cocks, the "prettiest girl in town boy", according to Nona Helena. Niece-
Pacilio Quito sister, Angel toothless whose mind splintered just given birth, certainly, reading herein, Freudians might be tempted as compared to a great feast. Who here (is) explains, he prefers the Feast of Severo Arcangelo. Its sky hopscotch ceased in July 1981 when childhood was deserted and there earthquakes. Adolescent
sad, melancholy perhaps Ahh!, Again disputing the Freudian landscape! - Lonely, ex - central-please read it: no exotic nuances of the word! - Undisclosed rebel-rebel never way! - almost-hippie-contemporary was never on your side! -; interviewer -"... Lisandro Viale PI. PI, PI, intransigent party, if you feel rebellious, Oscar Alende vote prayed !..." the singing and playing there, in '83, to its 13-odd-reporter-and Fabio Zerpa was wrong: there was no casildense Martians among people: the abduction would have been wonderful! - I would make a projection that will alter history by a chronological order for a moment you are trying to preserve, as this history of journalism, this sort of raid mark, many years later, her story in a coffee table for three delicious centuries, was able to interview the Master Fontanarrosa, who did not achieved, despite its charm, to convince the above to return to his bastard son, and Leper from the womb. was
elected President of the Center for high school students, however, was censored, the then director loved the gears, but not the Blighted! -, "defender of the poor" as translated by the prof. Financial Mathematics made his test career, should be considered that at that time, the tutors were used only for plants, especially the twisted, "athlete" was devoted to the Athletics since childhood, the long jump, despite its Height: between 1.60 and 1.64-, volleyball height, again, was no obstacle, "at the basket ball a sport that, until today, remains an enigma to the players themselves and the male audience Youth-Swimming-never managed to learn or slip in the butterfly, "Do Sipalki-ninja turtles-but not yet appeared on TV," catcher figurines by Sarah Kay-pseudo-sign of Romanticism V. Hugo, known later as reading an essay by Ariel Dorfman, "reading, discoverer of places unknown for cathartic writing, and assumed his Blackness, he graduated in 1987 from Perito Mercantil Nacional-first conviction Kafkaesque! - Not without before shaving the hair-waving skinheads ever enjoy your sympathy.
I proposed marriage at an early age, and he accepted. And it repented 15 days before the wedding, leaving the dress on the rack and groom guilt-free office and crime.
He played no demagoguery, no privileges, and sang and toured the central street of the city-invading with the usual fervor "return of the dog" still persists, with the cry, with boys of the Basic Unit and drums - then feel the disappointment and anger and helplessness, the triumph of someone who said, crossing fingers leader, to invoke the gods of Olympus, impregnated with salt thresholds: it is immortal as Highlander, although rusty! -.
During militancy, he offered to join the Junior Chamber, but she stated Leprosy Rosario loyal. Neither agreed to be part of the Leo Club, because it should only lions to stand on the forests.
job selling women's clothing, shoes and button-ever distinguished the subtle difference between a haberdasher and a camisolero and sales certainly declined, "opposed to taking a course on" bows for gifts, Communion and related ", but finally reluctantly attended since the ribbons are serious.
He served in the Public Library and two behind pharmacy counters, and cleaning staff. In the archives of the Library spoke with Asturias, Heidegger, with the Master Vallejo, but Coelho failed to befriend.
tried to give life-in the backyard of his house to a garden, but the ants, there conspired to Horacio Quiroga understood and rage against the thick orange-eaten, he went to Rosario, her place in the world - and was President of the Student Center in the Faculty, without adhering to the cyclical view of history that some theorists strive to sustain.
............................................... ...................................
(In this brief space, the story of the family romance is interrupted, since readers can subvert their sovereign will and commitment to fun. And is that readers always complete the text.)
be born again an April 6, 1999, when he offered up his son Stanislas birth.
Estanislao and I, one day before birth ourselves
quit smoking for two years. As a convert, he turned not unbearable, as confirmed from official sources not Clarín and La Nación. Snuff and resumed cycling. He stuck to some convictions and was unfaithful to the stupidity, arrogance and also fashion-skate classes, homework, math and cockroaches. Remained in loyalty-with herself, which is loyalty-to-Other, "the word of honor, kaleidoscopes and eclecticism. Also on the ice.
not believe in horoscopes or solemnities. Nor, in the holiness without mud. Does not attend funerals or quinceañera parties. Do not have a credit card, the washing machine and the car is not your Utopia.
was blonde, brunette, redhead and almost the neighborhood barber refused to undergo such a procedure hair. It was his own judge. It was his deep voice which earned him the expulsion of the Boys Choir Elementary School. Is your language. Along
Adam Buenosayres, agonized and onions against Christ Broken Hand: as "... girl-who-ya-no-can-happen ...", and" ... That "...
died many lives. He lived many deaths.
was not crossed until "... a name ... ... Wing of the Dove ... Fall Flower ... no ... ... Rosa evaded Death .. "read it from head to toe, face to the sky, bowels, brains and soul. The aching beauty lit. "... A shining splendor and ..." Christened "... his destiny ..."
And again raise, because as a passionate reader of Don Leopoldo and Existentialist, Feel, then, there, and eagerly Cree-without the contingency of view, that "... There is a thirst day da man with just water, and the exact source ... "
Indeed, beyond the publications, studies and scriptural activity, which appear in the biography published in this space created by lucid and severally Vos, Gustavo, "I like to think so ... stubbornly apprentice, apprentice ... I am my language. And I think without
View
When did you write? Why?
My first poem was dedicated to my mom and I wrote at school, first grade. Still I keep it: it was very baroque in its enunciation! But it gave me the overriding need writing, while reading I ran into the wonderful word. Never cease to do so.
How would you describe your poetry?
If you should find a qualified, call it suffering, human, existential. But I think it is for the readers the audacity-or adventure-relenting.
What authors influenced your poetry?
César Vallejo, Roland Barthes, Olga Orozco, Alberto Girri and Aldo Oliva, among others. You always have headlights and the shipping name is constant, a sort of continuum that is recreated, re-built, ocean stretches.
What is the order you would like to accomplish with your poetry?
Name the world, the Other, to Serme, to remain: "To be I am to be one / leave me / find me among the other / the others are not if I do not exist / the others that I give full life "-Or. Peace.
What poem would you choose if you had to choose one special? Why?
would choose, undoubtedly, any poem of Master Vallejo, for example, a bread man goes through a shoulder. Because this poem amalgam human condition in all its wake suffering, its flow and scrapping existential.
How poetic language has changed over the years?
lot, as I believe, everyone who wrote in the beginning we are more influenced in terms of mimesis to some authors. Then comes the conscious work, sweat, fiercely passionate about writing itself. And instead of artifice, the engine begins to loom. And its resonances.
For you are born or become a writer?
is not an issue or divine magic, nor recipes. I truly believe is a permanent job at the same time, demands a deep commitment, never finished: "The responsibility of art," according to Bakhtin. I do not believe the figure of the poet medium "forged by Cortázar, as opposed to the" professional writer. " There is, yes, the poet, the life experience that drives the word, the tense, the free, the calls, the invites.
What advice would you give to a young writer / writer who began in this beautiful way of the WORD?
Read, read, read ... In the words of Jorge Larrosa:
"... As we write only repeating and transforming what we have read, Maeterlinnk paraphrase answer. Write (and read) is like plunging into an abyss in which we have discovered wonderful things. When we bring to the surface only common stones and pieces of glass and something like a new concern in his eyes. The written (and read) but the trace is not visible and always an adventure disappointing that, after all, it has proved impossible. And yet we become transformed. Our eyes have learned a new dissatisfaction and are not used because of the lack of brightness and mystery of what we offer in the light of day. But something in our heart tells us that, deep, still shines, immutable and unknown, the treasure ... "
How do you see the publishing industry today?
We are replicated in a kind of consumer citizenship. And is that the concept of citizenship has shifted dramatically to the consumer because the consumer is where citizenship is exercised and built today. Anorexia identataria-understood as a place of crisis and dissolution of identity, lies in "(...) That reassuring hybridization hybridization attempts a monological climate is also seeking the oblivion of the differences which can not be dissolved (... ) hybridization can be thought of as the identity constructed through a negotiation the difference, "gives us García Canclini.
"Bestsellerismo triumphant" Roa Bastos called the publishing industry today. I think this late modernity through us, operates in a brutal way: impose and exclude fragments and despair. But fortunately, every system has its interstices. It is therefore fundamental, urgent and vital to weave solidarity networks among writers and readers, to undermine much hilarity mercantilist.
If I had to recommend a book of poetry, prose, short stories, novels, etc., What would you recommend?
Read it all. Eagerly, earnestly, from the enjoyment. Devour texts. Become omnivorous.
is a difficult question because the list is infinite, or you may call it "the library" - these texts are inescapable, essential. Rehearse a few: Human Poems by César Vallejo's poetry Aldo Oliva, Hugo Mujica, Adam Buenosayres, Leopoldo Marechal, Men of Maize by Miguel Angel Asturias, The Invisible Cities, by Italo Calvino; The process Franz Kafka, Fictions, by Jorge Luis Borges, Fragments of a Lover's Discourse, Roland Barthes, the chronicles of Pedro Lemebel and Elena Poniatowska. It is important to clarify that I just mentioned only some examples of la infinitud de autores y textos que se adentran en mí, y acaecen…
¿Qué opina de las nuevas formas de difusión de la palabra, ya sea en páginas de Internet, foros literarios cibernéticos, revistas virtuales, ñusleter, blogs, etc.?
El planteamiento de Roger Chartier en ¿Muerte o transfiguración del lector? acerca de las diferencias cristalizadas en relación con la aparición de la escritura desde la Edad Media hasta la actualidad, nos obliga a situarnos frente a nuevos interrogantes: ¿se atiende, desde la escuela, a esas diferencias o se continúa con una concepción primitiva de la lectura?; ¿brinda, aún the elite, the possibilities to read and write and not as was done in the last century?, how to translate, reading and writing, that citizens complex, embodied, conflicting and incomplete contingent?
First, it is essential to recognize globalization as a narrative and not merely process. Between cultural identities and global, Canclini notes the presence of "new spaces of cultural and political mediation" and proposed to treat globalization as "a set of processes of homogenization and, in turn, articulated fractionation of the world, reorders the differences and inequalities without destroying. "
Therefore, and as he proposes, it is imperative to discover what he calls "new spaces of cultural and political mediation." We should note, therefore, that "the future of globalization decide what citizens need to rework the (...) multicultural community perspective in the modern city conditions." Is therefore urgent to transform the relationship between identity, citizenship through a narrative construction of these notions, in turn, involves talking about them like meaning, a new narrative construction can only be defended from the continual and which also must conquer incessantly in the celebration of differences.
I think we should be lucid, and to appropriate these codes and others. New technologies overwhelm, but at the same time, enable a different assembly of the word, his movement is interesting ... I think the idea of \u200b\u200bthe mole, mole strategy: to undermine, undercut, undermine to come to the surface and burst.
Finally do you want to add something?
My deep gratitude, endless and free, Vos, Gustavo, for creating this space of resistance from the poetry. My thanks to each of the readers, all partners are spoken here from the inescapable certainty of the poetic word, Estanislao, my son and the only link existential blood flows through me and Hugo, the Love of My Life, My Roommate. DANIELA DE ANGELIS
Interview Interview SUZANNE EDNA Szwarc 
for you What is poetry? Question
disturbing as the poetry itself. Yes, poetry restless. Is - poetry that something else is done with the same communication tool. The same words used in a horrible news, or use the multinationals, are displayed in poetry. And yet, that it is not the same.
Is it a stretch the world? Is it a place of communion? Two, three, reading a poem and moved by it, creating a union, a relationship, a single gasp. Is it shock? Poetry makes language a treasure. We could also say it was a rock but not hard, but it does place a stone to deploy, mourn, laugh.
is an adventure-poetry-able to move the foundation to the emergence of "another way of being."
Could you tell us a little about your life, of his published works, awards, his literary activity?
was born in Quitilipi, Chaco. Of parents who came from concentration camps. I lived alone since the age of 9 in "Capital." (This, I wonder now, should not become a person having "strong" but not, I became a reader. They said the parents: "If you read, you'll get your home in ... if you take the field." And was not a small field soybean.
girl I liked to be in line traps and read poems. Exit bike and read to the birds ("listen, 'cause flying)
appeared in the village rare books as well as Corin Tellado, one of SJPerse Anabasis, the process Kafka, a Romeo and Juliet. Read streaky and I think something got me "with understanding" better "than today.
wrote followed (this does not mean it's always valuable, pulling almost all) I was easy to tap into the core literature. Shyness, not to meet people who are dedicated to the same, the feeling "a little girl in the street", using words that produced mockery in the "capital" and so on. did not stop writing but it did not have a circle of the same. " However
I decided to go to publishers, to be somewhat arrogant (without realizing). Eg. Beatriz Guido to edit. Losada, wanted to change the beginning of a story. I refused, I did not. (Errors juveniles)
After "the poetry I did." No one knows how "it" begins to speak again and suddenly becomes the "muscle work" to accept the sentences, write them down. Of course, given the subject, the immense task of editing, review, make a montage.
wrote narrative (The artist's dream, Braids, The random creaks, a happy light); poetry: In the separate, Bailen the steppes, Barbara said, Birds of passage and I have an unpublished book but I did not decide the title . Always ask for help with the title, annoying to a lot of people and then the name appears (as it itself). Others come before, as in a happy light.
I left in anthologies, poems I translated in several languages \u200b\u200band a rare Chinese-Mandarin. I
awards in poetry and narrative of Unesco for the novel Braids: The grant award also Torch and Regional; Inicación Secret Award. In Culture Nation separately only municipal Dance Award steppes. Mention in international story Julio Cortazar and a few others. I also took
stories for kids (although I think they are suitable for all age groups). There once was a circus Once there was a drop (which was award) makes little "Three crazy cats" who elected him to present at the fair in Frankfurt. (And left in the Chaco).
Ah! and plays, I am now a quagmire. But perhaps all is poetry.
When did you write? Why?
I think we all write. Or doodles. As a child I liked to write, I liked the picture that made the letters. Read-write on the sidewalks of Quitilipi, under the shade of paradise (tree), eating watermelon. I guess later in the solitude of Buenos Aires, write produce effect of "other." Wrote letters (to exist) and read.
Years passed and a sudden desire to write in notebooks and pass the word machine, fashioned a possible book. And it was. I think not much is known about why. Happens. Happens. And then continue. Something to say. But: who?
I still find one of the most interesting things. Although at times "that" speaks to us, the language is silent or not listened.
How would you describe your poetry?
would have to look for what some critics say. But in my poetry would surreal areas, intimate areas, areas objectivist. And I use irony, a kind of humor even in the most tragic (as in the poem "rounds" where there is a thing of horror, "ether" (the gas) and yet you say "lucky if there legs for the pain.
Yes could say that "writing after Auschwitz," Adorno delivered, did not materialize. It went on writing. Segui writing. And they kept the "camps" as well.
endure what I think absurdity of existence and some "force" pushes some to us poetic language. We walked to the stone (Sisyphus) on their backs, and yet: the happy moments.
When I think make a sentence, I said. Then I forgot, I despair to a new sentence. And I think that this is shared. For example, when I read Celan and suffer with what you say, I also feel happy with how he says it. So again that gets in the world.
What authors influenced your poetry?
read as a child to St. John Perse, fascinated me. In school I read poems of Borges as well. When I was teaching at Villa America, Rafael Castillo (Province of Buenos Aires), read my students in sixth and seventh to John L. Ortiz and felt the joy (of the meeting, that communion). I really like what does Alexander Schmidt (I like to reread it), and many contemporaries. I "touched" José Kozer, Adelia Prado, Reina María Rodríguez.
And I guess reading prose has influenced me also, eg. Kafka, Kawabata, Rulfo, Marguerite Yourcenar, among many others.
(And I read the poets nearby, displayed on your page of poetry, and many others. Many times, something they say feed me, make me write)
What is the purpose would like accomplish with your poetry?
do not believe in what is called "communication" does not believe in the pedagogical.
Yeah I like that a sentence of a poem (like a phrase), we get to the other so that is a kind of passage. And it makes possible some "understanding" that goes along with the shock, I think.
A "realization" that things have the potential to be, so often otherwise.
What poem would you choose if you had to choose one special? Why?
Any poem another or your own? If other, would choose today, "Idle" by Carver. And maybe tomorrow, another.
If one of mine: smiling?, And several others.
is very difficult to choose "one." I teach writing and many texts "we" speak.
How poetic language has changed over the years?
Will there be changed? Perhaps, yes. In the new I be "less formal" have "more humor." But there are poems from the start that I think are better than some current. I do not think that there is "progress" in art. Yes, there are modifications. And I think there is a move away when something was written: "I wrote this?, One wonders to be found (or not). In addition there are some who insist also significant variations.
For you are born or become a writer?
I always make. You can nacerse talented (I'm not sure what that is), but if things do not get the paper, no writing. It is an do.
Although one could say that sometimes it is as "in writing" for long periods, without annotations. But there must be "something laid on the leaves." And then see what writing is about.
What advice would you give to a young writer / writer who began in this beautiful way of WORD?
him write and read. Read and write. That writing is just writing.
How do you see the publishing industry today?
For poetry is always an enigma. Luckily, poetry books keep coming. And somehow the publishers of poetry are heroes. O sub-heroes (I say as recovery greater)
If I had to recommend a book of poetry, prose, short stories, novels etc. What would you recommend?
Poetry: authors recommend: César Vallejo, Paul Celan, the Szymborska. (And muhos more)
Narrative: Tony Morrison, John Berger, Marguerite Duras (and more)
What do you think of new ways of spreading the word, whether on web sites, literary forums cyber, virtual magazines, ñusleter, blogs etc?
I think everything that serves to spread the word. is valuable. You can read through cyber means, but is done with the effort of individuals.
Finally Do you want to add something?
thank you to Susan Szwarc
POESIA VIVA PAULINA Interview Interview JUSZKO 
for you What is poetry?
A need.
Could you tell us a little of his literary activity?
Juszko Paulina was born in La Plata and resides in Villa Elisa (Bs). He held teaching assignments at the Dción of Psychology and School Social Assistance (Pcia.Bs.As.) and the Alliance Française de La Plata, where he also directed the Petit Théâtre (vocational group). Work published
: Poems god I and postmodern Chant are youthful works, edited by the author. In 1995, Ediciones de La Flor published his first novel, you only want to dance the cumbia pa . In 1998 his novel Splendors and Miseries of Villa Teo awarded 3rd prize at the National Endowment for the Arts and is published by Simurg in 1999. In 2000 Ed published his essay Byblos The mood of the Argentine . In 2005 appears Living in Villa Elisa, work testimonial character of cultural interest declared by the municipality of La Plata (Talita Golden Books). In 2008 is published in the Ed.Dunken novel Year of the woodlouse.
Among his unpublished include three novels in which abundant socio-political satire, black humor and the grotesque, a detective novel and other works decidedly humorous, a book of poems, two plays, etc. He has lectured on various topics related to literature and participated with lectures and readings at various meetings of writers, national and international. Collaborate with regional newspaper articles and served as judge in several literary competitions. It has been translated into Italian and Russian.
in 2005 led to the poet José María Pallaoro cultural hearing The Talita, FM Radio Park Villa Elisa. In 2007 he was responsible for the literary column of hearing La Marca, Berisso FM Broadcasting. In 2007/2008/2009 former columnist for the program The Attic , FM Keops of Villa Elisa.
received the 2006 Award for Ethics Virtue, Labour and Solidarity, awarded by the Foundation Principles and the Ministry of Social Development of the Nation.
advised the community theater group Arturo I followed the Elisa at start of shows inspired by the book Living in Villa Elisa (2007/2008)
On the occasion of the Day International Women's municipal delegation was awarded the Outstanding Woman of distinction Villa Elisa (8 of March/2009)
How would you describe your poetry?
A desperate search for meaning.
What authors influenced your poetry?
Rilke, Antonio Machado, Leopardi ...
What is the order you would like to accomplish with your poetry?
Communicate with other human beings across time and space.
Which of your poems you choose and why?
And they come for more, because it represents to us, Third World, against the powerful countries. O adrift, because I am fascinated by calligrams.
How poetic language has changed through the years?
started to give importance to look "plastic" in the poem, that is, the visual impact resulting from the arrangement of the verses in the space of the page.
For you, a writer born or made? There
an innate predisposition: the written word is haunting us from the beginning.
What advice would you give to a young writer / a?
Read a lot, starting with the classics. And re-read a lot too.
How do you currently the publishing industry?
is a vile trade.
If I had to recommend a book ...
Les fleurs du mal Baudelaire .
Don Quixote of Cervantes . The last meeting S. Márai.
What do you think of new ways of disseminating ...?
Everything that serves to raise awareness of our work seems good. But I prefer a book in hand to a computer before. PAULINA
JUSZKO
POZA 
for you What is poetry?
Poetry is for me a way to catch small pieces of infinity and reveal them as being like a photo negative, using the word.
Could you tell us a little about your life, of his published works, awards, his literary activity?
Since 1999, I think full-time poet. As I said in the preface of my book "Vademecum" Poetry is my way of life. I get up in the morning and turn on the light poem to raise the shade. I open the hot water line, I mix with the cold so it does not scorch my soul and enjoy aromatic metaphors while I shower gel. Syneresis breakfast a cup of mate and a couple of cupcakes and I face the blank computer screen.
That vocation has led me to write and publish ten books of poetry and participate in numerous anthologies. I recently received the Poetry Award Sarmiento, in the city of Valladolid.
When did you write? Why?
I started writing very young, influenced by some familiar literary tradition, as the Galician poet Manuel Antonio and my grandfather Roxerius. Then I spent, in line with my work as Chief of Protocol, to write speeches for politicians, which was a great learning experience because I believe they are the opposite of what should be poetry. In the speeches are used many words to say nothing, and poetry should say much with few words. When I left the protocol activity I took up a love of literature to devote full time it, combining it with the editorial activity.
How would you describe your poetry?
There are poets who initially written to one record. I like to investigate new records. Perhaps that is why I have written in almost all records I know, always trying to adjust to my style. Romanticism, existentialism, poetry of the occurrence or the wit, social poetry pamphlet but not using poetic devices are some of the horizons in moving my poetry.
What authors influenced your poetry?
For me there are three books that have had a great influence. "Residence on Earth" by Pablo Neruda, "Altazor" by Vicente Huidobro and "Poet in New York" by Federico García Lorca. "Canto General by Pablo Neruda also represented my meeting with the pace.
What is the order you would like to accomplish with your poetry?
is difficult to define what we look for in poetry. Particularly I think it's a way to perform well, why not try to transcend myself.
What poem would you choose if you had to choose one special? Why?
Undoubtedly "Altazor" by Vicente Huidobro, which allowed me to get to know metaphors whose rereading creationists and always leaves me in a state of poetic elevation which allows me greater creativity.
How poetic language has changed over the years?
I think I've gradually become more and more airtight and have been drifting toward poetic prose.
For you are born or become a writer?
A script can be reached by multiple causes and pathways, but have conditions that psychologists call "capacity for writing "and with which it has worldwide, is important and helpful.
What advice would you give to a young writer / writer who began in this beautiful way of the WORD?
Early in my life thought that intelligence was one of the most important virtues a person should possess. Over time I realized that consistency, persistence in the way, despite the walls or obstacles to jump or down, is what truly allows anyone to achieve its objectives.
How do you see the publishing industry today?
The publishing world is changing. Gradually closing the publishing medium and small proliferate, while large survive thanks to great promotions that actually benefit only a few authors. I think that fragmentation of the industry will continue. The marketing of books tends to consolidate over the Internet in parallel with the closure of many libraries. The future walks to books published in small editions, almost to the letter, but will persist bestseller large publishers.
If I had to recommend a book of poetry, prose, short stories, novels etc. What would you recommend?
recommend
poetry the three mentioned above. As for the prose and the novel, my editorial activity forces me to read many new authors and I have left much time for reading like I do, so I do not feel a special predilection to any particular I've read recently.
What do you think of new ways of spreading the word, whether on web sites, literary cyber forums, virtual magazines, ñusleter, blogs etc?
think they are doing a great job in interconnecting authors from different countries and help the dissemination of his writing. However, I have also literature become a kind of jungle, full of peacocks oversized ego, perhaps to mask many shortcomings of self-esteem. This jungle will clarify over time, as you begin to make a serious and objective literary criticism on the network, which did not happen today.
Finally Do you want to add something?
Nothing. Grateful for the opportunity you offer me, Gustavo, to express these views in your blog.
LUIS FERNANDO PÉREZ POZA
FERNANDO LUIS PEREZ MONICA GONZALEZ VELAZQUEZ Interview Interview 
What is for you poetry?
MG is a vehicle to dump the unexpected, long and leisurely ideas about events that cause me concern or resonance in everyday life. It is also a plus of existence, without poetry and reality can not imagine what it touches me.
Could you tell us a little about your life, of his published works, awards, his literary activity?
I graduated from the National School of Plastic Arts of the UNAM for the Degree in Graphic Design. The design, sculpture, ceramics, drawing, photography and poetry finally, it was my best allies. He published the poetry books: Triptych of indifference (Pascual Workers Cultural Foundation and the BC Arts, 2001), the light and shadows high (Match, 2006), Poetry Gathered (miCielo Editions, 2007), The last things (Fridaura, 2008) and Grand mal ( miCielo Editions, 2010) have also participated in the anthologies: The walls crowded (The Lobster Quadrille, 1998) At the edge of the clouds (The Mother of Ahuizote, 1998), Lights and Shadows (Tafalla Spain, 2003), in platelet anniversary commemorative No. 23 and 24 of Poplar cultural Tianguis (CONACULTA - Tianguis cultural Poplar, 2003-2004), sob Better sharpening the knife (Cuiria - Fridaura, 2006), Muse of Muses (The snake of the sea, 2008), Cupid surfer (Spontaneous Generation, 2009), Anthology of the XIV International Meeting of poetry in Zamora, Michoacán (Michoacán Department of Cultural Affairs, 2010), as well as poetic Map of Mexico: From silence to the light (Zur, 2008) and in the documentary Fish Wind: words, words, des mots ... A research on development of the Poetry Slam in Mexico (Basang, 2008). The awards I have won, I just gave them this year: Honorable mention in poetry contests: Badajoz, Alicante (Spain, 2010) respectively. Currently, I run the project miCielo editions, dedicated project in the publication of book-objects.
When did you write? Why?
I started writing by intuition, in search of new forms of artistic expression. Then this need led me to seek more ways of writing and then refer the issue of book-objects.
How would you describe your poetry?
As a sequence of events merely temporary. The optics of the truths of speaking contemporaries.
What authors influenced your poetry?
Gil de Viedma, José Carlos Becerra, Octavio Paz.
What is the order you would like to accomplish with your poetry?
Truth.
What poem would you choose if you had to choose one special? Why?
"The inventory and bounce", which is included in the new series "Big Evil" (2010) Because it has a lot of truth implicit and reflects me in every way.
How poetic language has changed over the years?
language is more hard. Set to the rhythms of the metric and I do not believe that a poem is a happy event.
For you are born or become a writer?
writer is made with the office, but the intuition is brought from childhood.
What advice would you give to a young writer / writer who began in this beautiful way of the WORD?
never stop reading.
How do you see the publishing industry today?
is a really tough road it can find heaven or hell.
If I had to recommend a book of poetry, prose, short stories, novels etc. What would you recommend?
"Autumn covers the islands of José Carlos Becerra. Mexican poet, to whom I owe my whole way of looking at poetry. (Villahermosa, Tabasco, May 21, 1936 - Brindisi, Italy, May 27, 1970)
What do you think of new ways of spreading the word, whether on websites, forums, cyber literature, magazines virtual ñusleter, blogs etc?
I are useful but not essential.
Finally Do you want to add something?
Only poetry, make us free.
MONICA GONZALEZ VELAZQUEZ
POURRERE for you What is poetry?
Poetry is a profound expression of the soul. You paint with words emotions that struggle to be seen and heard outside leaving modesty.
Could you tell us a little about your life, of his published works, awards, his literary activity?
Years ago I write. Several awards, publications no. Sometimes I feel that there is already much written there is no point to add a book more. I express myself anyway. I pour my opinion in the form of poem.
When did you write? Why?
wrote from childhood, I liked. Then I went closer and closer to poetry. The first book of poems I read was the Becker Rhymes. I felt I needed to say.
How would you describe your poetry?
write about what happens to me on what I feel in certain circumstances. I tend towards a modern poetry, assonance and rhythm.
What authors influenced your poetry?
already named Becker, also Espronceda, García Lorca, Almafuerte, José Hernández, Benedetti, Borges (essential).
What is the order you would like to accomplish with your poetry? Give
joy and love to those who read it. Bring about feelings of peace and moral values.
What poem would you choose if you had to choose one special? Why?
established authors Referring to choose all those poems that speak of values \u200b\u200band contain a complaint against arbitrariness and courageous human pride.
How poetic language has changed over the years?
has not changed, perhaps has been tidying up.
For you are born or become a writer?
must be innate. Then everything works, polished. The genius of literature, such if you were born with the magic touch of God for the word.
What advice would you give to a young writer / writer who began in this beautiful way of the WORD?
be true to themselves. Learning from the greats, without getting carried away by propaganda. There are many brilliant writers ever have had or will have an opportunity in a world so commercialized. I also would not "prostitute" by the fact be known. Worth a lot more dignity.
How do you see the publishing industry today?
Commercial and merciless.
If I had to recommend a book of poetry, prose, short story, novel etc. What would you recommend?
There are so many. No one has the same tastes. The complete works of Borges, Benedetti. For the sonnets Baldomero Fernández Moreno. Anyway, I could name lots. The best thing is that each its own sea diving literature.
What do you think of new ways of spreading the word, whether on web sites, literary cyber forums, virtual magazines, ñusleter, blogs etc.?
Dan
many possibilities for those who have no chance of being known. They are very valid.
Finally Do you want to add something?
I welcome the opportunity it gives me Gus's blog to be read, as friends elsewhere. And also thank the comments and advice from readers, I offer the opportunity to grow.
POURRERE ANTONIO CRISTOBAL
ANTONIO CRISTOBAL Interview Interview 
for you What is poetry?
TO MY POETRY IS A VISION OF THE WORLD, A WAY OF LIFE THROUGH A PERSONAL SEARCH FOR THE WORD.
Could you tell us a little about your life, of his published works, awards, his literary activity?
NINA FROM START WRITING POETRY, AND A LITTLE LATER ADULT SIGN several literary workshops. DI a 180 DEGREES AT MY LIFE, BUSINESS ADMINISTRATION AND the manufacturing sector, CHANGE THE FIELD OF EDUCATION AND LITERATURE. I did a MFA in Creative Writing and a Ph.D. In Latin American Literature.
COORDINATE SEVERAL DAYS IN CIUDAD JUAREZ LITERARY, ORGANIZE AND COORDINATE 7 INTERNATIONAL GATHERING OF POETS IN CIUDAD JUAREZ, FUI LITERARY WORKSHOP COORDINATOR OF TWO, ONE IN THE CE.RE.SO. (SOCIAL REHABILITATION CENTER) IN CIUDAD JUAREZ AND WORKSHOP TO CREATE A CHILD (CHILDREN'S LITERATURE WORKSHOP JESUS \u200b\u200bGardner), teaching LANGUAGE AND LITERATURE, I have served as PROMOTING CULTURAL INDEPENDIENTE. HE PARTICIPATED IN MANY GAMES OF INTERNATIONAL AND NATIONAL POETS. I have published poetry books: TODAY WE ARE THE SILENCE (CITY OF CIUDAD JUAREZ, 1994); CITY TO BE RESTORED (RANDOM EDITION, 1996), the silence of whiteness ICE SHEETS (TOWN HALL Ciudad Juarez, 1997) THE SILENCE OF THE FALLING (UNAM 2000) anthology, BIRTH OF LIGHT (ARDE CHIHUAHUA FREE BRIDGE PUBLISHERS AND EDITORS, 2006). LEAVE THE POETRY BOOK BY THIS STATION TEMPE (Izote PRESS). I have been anthologized in several anthologies and national levels. HAS WORKED IN SEVERAL MAGAZINES AND LITERARY MAGAZINES SUCH AS VIRTUAL WATER TLAPALI AND SAY, AMONG OTHERS.
I was honored with the recognition of "Women Culture 2006" by the city of Ciudad Juarez.
IN MARCH 2010 WAS AS DISTINGUISHED CHIHUAHUAN FEATURED IN THE AREA OF THE POINT of the award EDME MARIA ALVAREZ H. CONFERENCE GIVEN BY THE STATE.
When did you write? Why?
I started writing since the age of 12 ANIOS WITH POEMS FOR MY FAMILY AND SCHOOL EVENTS. WORKSHOPS AND SIGN AFTER BEING ADULT. I started writing for a need to express and communicate what I saw, what I thought And what I felt to stimulus such as CITY, PEOPLE, NATURE. Poetry became a vehicle for communicating and I saw THE WORLD.
How would you describe your poetry?
POETRY AS A LOOK THAT SOMETIMES aesthetic expression and sometimes only requires communication. I think sometimes is more intellectual than EMOTION. My poetry is closely linked THE IMAGE, TO THE PLASTIC TO THE EYE, OTHER OF MY PASSIONS IS THE PICTURE. I THINK I tend to look PHOTOGRAPHY POETRY, PHOTOGRAPHY AND POETRY.
What authors influenced your poetry? MAYBE
BECQUER, RUBEN DARIO, Machado, Garcia Lorca, Sor Juana, Octavio Paz, Alberto Blanco,
What is the order you would like to accomplish with your poetry?
TRANSMIT THE PRESENCE OR EXISTENCE OF SOMETHING OBVIOUS OR NOT SO OBVIOUS THAT SOME PEOPLE SOMETIMES DO NOT SEE. ONE WAY TO BE NOTIFIED.
What poem would you choose if you had to choose one special? Why?
(MINE?): "Sign" or "WHERE TO GO" BECAUSE I BELIEVE THAT DEFINE ME IN ANY WAY.
How poetic language has changed over the years?
IS MORE POLISHED, more intentional, more purpose.
For you are born or become a writer?
is born and HARE. Born with the predisposition to WORD, BUT NEED TO GROW UP AND LEARN WAYS TO SAY GOOD, EFFECTIVE WAYS TO CAUSE AT THE SAME TIME REVELATION and aesthetic pleasure.
What advice would you give to a young writer / writer which begins in this beautiful way of the WORD?
READ, read, watch, observe, write, write, write,
How do you see the publishing industry today?
THINK ABOUT A DIFFICULT TIME FOR THE EVENT OF ELECTRONIC PUBLISHING AND THE INTERNET, BUT I THINK THE PUBLISHING INDUSTRY LOOKING TO TIME MISMOO NEW ALTERNATIVES FOR THIS EVENT. STATISTICS DO NOT KNOW BUT, I THINK A GOOD BOOK IN THE HAND IS NOT EVEN PASSED BY THE INTERNET OR SUPPLIES.
If I had to recommend a book of poetry, prose, short stories, novels etc. What would you recommend? RECOMMEND
MEMORY POEMS RIO DOLORES CASTRO, Armin ARJONA OFFENDERS, THE sounding board, ROMANCE OF JESUS \u200b\u200bAND TREES Gardea SanMiguel PROSA DE ROSARIO.
What do you think of new ways of spreading the word, whether on web sites, literary cyber forums, virtual magazines, ñusleter, blogs etc?
LOOK ME A WAY TO SPREAD WITHOUT LIMITATION, ACCESS, FAST, EFFECTIVE AND AESTHETIC.
Finally Do you want to add something?
ONLY THANKS.
CARMEN AMATO
CARMEN AMATO JOSEPH AGUILAR ENRIQUE RAMIREZ JOSE for you What is poetry?
I can not say exactly what it is, that would be pretentious of me, but I can say is that poetry was already there, in the steam primeval times, it was already there, dancing, fluttering on the surface of the waters near the golden spirit of God, and was pounding, hoping that all things arise, hoping the man emerged, which the poet made a low signal to completely withheld from, I can say that poetry as love is what makes us truly human.
Could you tell us a little of his life, his published works, awards, his literary activity?
come from a humble and simple family in my parents' house the books were always absent, no one encouraged me to get closer to the word, concern arose in me from an early age in primary school and I stated the first samples of natural talent for writing, but she was a teenager I start more serious search for my own poetic voice, and I turned rebellious nege me to read any book of poetry until we find, as I said my own poetic voice and I dove in myself and in the shadows, I faced my literature professors in my years middle and high school until I could prove that they had managed to find my own voice without having the resonances of the great poets known and established, my rebellious act caused me problems in terms of skills but I found my voice, Professor Raúl Sánchez Torres del Bachelors School campus Jacona, Michoacan, which is also a poet and has participated several times in the international meeting of poets here in Zamora, Michoacán, witnessed when I showed already have my own poetic voice, a personal voice, a voice been growing, with a poem I wrote in front of him, in the middle class, but that has already happened several years, about ten years perhaps he no longer remember, as well as in art, because I'm also self-taught painter, since I learned to take a pencil correctly, my first impulse was to draw all that was before my eyes, to this day, my drawings and paintings have the force propia.He my poetry published in local publications, I anthologized in the anthology of the XIV International Meeting of Poets from Zamora, Michoacan, Mexico, the rest remains in the shadows, over all these years I have been accustomed writing in the shadows, most of my texts, but through all hours of the clock, I wrote at night, between ten pm and five o'clock, he wrote as if possessed, until writing take up to ten hours without parar.Hoy continue to write with the same certainty that I breathe, I write with all the strength of my spirit, I write in the shadows, the light of my poetry.
When did you write? Why?
Since the primary, but was she was a teenager about 13 years since I started writing more seriously, more consistently, until after a while I got to feel really committed to the word, and so both an important and momentous responsabilidad.Comenzé to write for the same reason that I began really to live.
My life begins when the spirit of poetry came to me and stayed with me.
How would you describe your poetry?
My poetry is complex, fraught with the inherent melancholy child I spoke about a mysterious melancholy was there but that the child was not included.
My poetry is difficult to read, write a poem like a árbol.El tree is one of the leading figures in which it develops my poetry, I write the poem deeply rooted part of me forever, the poem grows as does a tree as much as he needs, branches of the verses is dense, dense as the foliage of those trees that can not see the troops of birds and fruits that hide in their cups, with a record of dense metaphors.
My poetry is sad, complex, difficult to read and dense, very dense.
If you can say something more, I prefer that my readers, make a fair analysis of my literary work.
What authors influenced your poetry?
As I had mentioned in my answers to these questions, I became a rebel, unwilling to readings from the great poets, because my goal for I was clear, despite being a teenager and I was firm, despite everything, to find my own voice without resonance of anyone in my poems, and once I found my voice to make it grow in my own life experience, from reflection lonely in everything that I was on the road in the reflection of each word, which is why many of my poems, short jacket while another two, three, four words from the root of a one, like the tree, or the same word is both another if read backwards, so I say that my poems are complex, difficult to read and densos.Tal time my case is somewhat strange, but it was.
What
is the order you would like to accomplish with your poetry?
Outside on the map to current poetic my voice from Zamora, Michoacan, to share with others what I have and what I am, to contribute from my trichera, light and hope to the highest expressions of human that is the poetic word and sowing the seed in the new generations emerge.
What poem would you choose if you had to choose one special? Why?
If you mean a poem of mine would surely be "mystery tree" that represents me well as a poet, shows clearly my voice and my vision built in figure the tree.
How poetic language has changed over the years?
has certainly evolved, has grown slowly as a large tree seed, has become complex and dense, very dense, and in the beginning of my work had an air of mystery to this day, my language poetry has become thick, dense, blinding, even baffling and disturbing, as I have made known some personas.La striving to improve is natural in an artist, is a constant in me, in my desire to go even beyond, renew the language in my poetry, to bring forth a new tree within my reach.
For you are born or become a writer?
Who can really say? 'll Let the Word itself diga.Solo who she has only respuesta.Yo am a servant of the Word.
What advice would you give to a young writer / writer who began in this beautiful way of the WORD?
to hear, to listen to him, that momentum carried away by the mystery of the Word who is the source, to have faith because the Word is both his own word, which always give the floor to Word and seek always to improve the word from his own word, for his words no one else will say if it does the boy or girl in question.
How do you see the publishing industry today?
His path is difficult, but contact with a book material that encloses the work of poets, can not be overtaken by other current media are also valid and important, I can not say with certainty what will happen , but I hope to in the future have a good book and offer a good book as we have always known of a publishing house.
If I had to recommend a book of poetry, prose, short stories, novels etc. What would you recommend?
Well, poetry would Canto myself in Walt Whitman, Prose of Franz Kafka's Metamorphosis, the story would be The Aleph by Jorge Luis Borges and the novel Niebla by Miguel de Unamuno.
What do you think of new ways of spreading the word, whether on web sites, literary cyber forums, virtual magazines, ñusleter, blogs etc?
All media you mention are important, today, younger generations spend much of their time "connected" to the network, the electronic media offer the possibility is always open and accessible to spread the word poetry in general are a good way to capture their attention and arouse their interest for reading in the electronic media and, possibly, because of that, its intention to acquire the book of interest.
Finally Do you want to add something?
remains in your hands my word.
AGUILAR JOSE ENRIQUE RAMIREZ
Interview Interview 
for you What is poetry?
is the best way to understand and understand the world, is the way in which it explain life.
Could you tell us a little of his life, his work published, awards, his literary activity?
Although I started at twelve years to write, and mostly wrote poetry, was published thirty years since my first book, a novel.
I published three novels and two books and participated in several anthologies.
When did you write? Why?
twelve I started to write because it was my way of explaining the living world and to explain to my ism.
How would you describe your poetry?
has no definition. Change at the same rate that changes my life and my way of understanding the reality around me.
What authors influenced your poetry?
Although I do not like someone out above the rest I must admit that Antonio Machado is the author I most easily read and which I acknowledge.
What is the order you would like to accomplish with your poetry?
understand and achieve to be at peace with myself
What poem would you choose if you had to choose one special? Why?
could not do it, every moment demands a different poem.
How poetic language has changed over the years?
I think I was the one who has evolved following the development of my poetry, and not behind my maturity.
For you are born or become a writer?
Both options are valid, although I think some are born poets, and that little difference was just noticing, but even so everyone has latent poetic elements themselves.
What advice would you give to a young writer / writer who began in this beautiful way of the WORD?
First, to read, as you can, especially those textosque away from their own style to learn new ways. Second, always accompanied by pencil and paper.
How do you see the publishing industry today?
Currently, Spain, publishers are making money factories. The treatment of the authors is shameful and there is only interest in those works that can be sold quickly and easily. Poetry survives thanks to some independent publishers, although lately in this world have also begun to appear some crooks out looking to take advantage of people.
If I had to recommend a book of poetry, prose, short stories, novels etc. What would you recommend?
Poeta en Nueva York, Lorca.
What do you think of new ways of spreading the word, whether on web sites, literary cyber forums, virtual magazines, ñusleter, blogs etc?
New ways of disseminating that technology has brought several advantages to allow authors: to access a large market quickly and cost, besides avoiding intermediaries often serve only to complicate the work, it also serves to different authors can get to know and contact, something that previously was not always possible.
Finally Do you want to add something?
No, I think I have no more to add.
JOSEPH A.
SANTOS
SANTOS SILVIA MARIA MANZINI 
for you What is poetry?
One way to breathe, to live, you survive the pain, the daily slaughter, a form of happiness
language A way of knowing, a way to capture the elusive given the beauty
Could you tell us a little about your life, of his published works, awards, his literary activity? Traffic
two worlds, one is closer to the epic, another opera.
anchors in a shot on another flight. In both work with silence and words
When did you write? Why?
In my teens or even earlier, moved by the illumination of a flash and before the suspension of time in an arbor of wisteria. Then as desperate and surreal to hold a beautiful friendship in the distance
How would you define his poetry?
is very hard to do, is beyond me. Some comes from the depths of a tear, images of a daydream, what blows me the secret language of flowers. Other than tearing the social, trademark seventies. Or the speed of travel or stamps as fleeting and reading other poets
What authors influenced your poetry?
Pizarnik was a brand burned into my teens, the Surrealists
Girondo. Lutreamont, English poets, Alberti, Machado, Cernuda. The golden age of Quevedo. The American, Vallejo,
Huidobro, Octavio Paz. The tragic poets, Storni, Agustini, Plath and Borges
What is the order you would like to accomplish with your poetry?
Getting to this beauty of a line that illuminates a path in the dark. A brush stroke on a canvas unforgettable score heart
What poem would you choose if you had to choose one special? Why?
If I eat bread?
If I drink water?
Excerpt from a poem Pizarnik, which reveals that leap that impossible, to play things with words. That's what poetry aims
How poetic language has changed over the years?
change has changed and I do not know whether for better or for worse. Before it was more concentrated, more contained, more surreal. The epic requires more space now may be doing it as a haiku meditative
For you are born or become a writer?
is done with their readings and their work, then perhaps a destination as Borges says poetry. Is not the same being a writer than a poet
What advice would you give to a young writer / writer which begins in this beautiful way of the WORD?
There is some rigor to require words, one is not sweetened with them and choose the most beautiful. Find out what shines between them in the plot, his silence
How do you see the publishing industry today?
A globalized market, where poetry is the Cinderella of the arts
If I had to recommend a book of poetry, prose, short stories, novels etc. What would you recommend?
The Metamorphosis of Ovid, Eliot's The Waste Land, Rayuela by Cortazar, Borges' The Aleph, Flor de Lis, of Marosa di Giorgio
What do you think of new ways of spreading the word, whether on websites, forums literary cyber, virtual magazines, ñusleter, blogs etc?
That is expanding, yet we can not measure its multiple effects, certainly offers endless possibilities for exchanges and new doors
As all you have to select what counts and what does not
Finally Want you add something?
Thanks for this proposal to disseminate and share this space to think, this blank page: an invitation to the poem SILVIA
MANZINI
